Repertoire
The construction of the repertoire of the choir answers to a wide-ranging plan: to face, according to the appropriate executive techniques , the various musical genres; however, conscious that the essence of a musical work is in its execution which must focus more on the expressive interpretation than the pure execution.
The repertoire includes songs of the Gregorian chant, the wonderful musical treasure of the West, from which arise all other forms of singing.
The repertoire loves the Praises ( “le Laudi”) , the source of all the Italian ” bel canto” and the theater and does not omit sequences, troubadour songs, the chansons, the “ frottole”, the villanelle ...
It faces with particular attention the polyphony of the golden age, a conversation of many voices, not easy to approach with rhythmic and tonal voice, a game of equilibrium between shadows and lights in which underline the verb-melodic phrase, devoid of special effects insertion, with a limpid, clear and sweet voice.
It still adheres to the dramatic and expressive request of baroque music with his taste for grandeur, for magniloquence, whose dynamic variation in adherence to the text, trying to interpret all the colors of the sonorous prism.
From the repertoire of the choir, full of about 180 titles, we take out five songs for each of the different musical genres.
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PANGE LINGUA... LAUREAM - inno di I modo PUER NATUS EST NOBIS - introito di VII modo SALVE REGINA - antifona mariana solenne di I modo VENI SANCTE SPIRITUS - sequenza di I modo VIRGO PARENS CHRISTI - responsorio di VI modo |
laudi and other poliphonic genres CUNCTI SIMUS CONCANENTES - virelai XIV sec. DE LA CRUDEL MORTE DE CHRISTO - Laudario di Cortona XIII sec. PIANGE MARIA - dal Laudario di Firenze XIII sec. POPULE MEUS - discanto del XIV sec. VOI CHE AMATE LO CRIATORE - dal Laudario di Firenze XIII sec. |
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CACCIA D'AMORE - Gian Giacomo Gastoldi (1550 - 1622) BONA VIA FACCIA BARCA - villotta, Filippo Azzaiolo (1530 - 1569) MAS VALE TROCAR - villancico, Juan del Elcina (1458 - 1529) O BENE MIO - villanesca, Adrian Willaert (1480 - 1562) VESTIVA I COLLI - madrigale, G. Pierluigi da Palestrina (1525 - 1594) |
AMICUS MEUS - Tomas Luis de Victoria (1548 - 1611) NIÑO DIOS DE AMOR HERIDO - Francisco Guerrero (1527 - 1599) O QUANTUS LUCTUS - G. Pierluigi da Palestrina (1525 - 1594) O VOS OMNES - Carlo Gesualdo (1560 - 1613) TENEBRAE FACTAE SUNT - Marc’Antonio Ingegneri (1545 - 1592) |
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AVE MARIA, SPERANZA MIA - Francesco Anerio (1567 - 1630) CANTATE DOMINO - Claudio Monteverdi (1567 - 1643) ECCE HOMO! - Guillaume Bouzignac (1592 - 1641) REGINA COELI - doppio coro, Juan Cererols (1618 - 1680) TRADIDERUNT ME - Narcis Casanovas (1747 - 1799) |
VERE LANGUORES NOSTROS - Antonio Lotti (1667 - 1740) CAPUZINER VESPER - Wolfgang A. Mozart (1756 - 1791) CANTEMUS DOMINO - Gioachino Rossini (1792 - 1868) PRESSO IL FIUME STRANIER - Charles Gounod (1818 - 1893) TEBE' POEM - Piotr Tchaikowsky (1840 - 1893) |
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AVE MARIS STELLA - Javi Busto (1949) MONTES GELBÖE - Terenzio Zardini (1923 - 2000) O MAGNUM MYSTERIUM - Colin Mawby (1936) O ORIENS - Jules Van Nuffel (1883 - 1953) DIES IRAE - Gianmartino Durighello (1961) |
DEEP RIVER - Jean Pagot GIVE ME JESUS - Jester Haiston MY GOD IS A ROCK - Parker - Shaw MARY HAD A BABY - Williams Dawson WERE YOU THERE? - Harry Burleigh |
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ADESTE FIDELES - Wade-Bartolucci CHRISTUS NATUS EST - Domenico Bartolucci EL CANT DELS OCELLS - Pau Casals KÁLANDA FOTÓN - Angelo Mazza MADRE EN LA PUERTA - Jean Pagot |
CANZONE GONDOLIERA - Rusconi-Kubik EJ HUNIEM! - Vasili Mirk GRANADA - Lara-Martinez L'IMPORTANT C'EST LA ROSE - Gilbert Becaud MAITE - Pablo Sorozabal |